Best Microphones For Bass Drum

By Marlene Armstrong | Last Updated on Nov 14, 2021

In Hurry? Editor's Choice:

Shure BETA 52A Supercardioid Dynamic Kick Drum Michrophone
TOP 1
Shure BETA 52A Supercardioid Dynamic Kick Drum Michrophone
TR score rating icon 9.9
TR Score
Audix D6 Dynamic Microphone, Cardioid
TOP 2
Audix D6 Dynamic Microphone, Cardioid
TR score rating icon 9.9
TR Score
Shure BETA 91A Half-Cardioid Condenser Kick-Drum Microphone (Includes Integrated Preamplifier and Male XLR Output)
TOP 3
Shure BETA 91A Half-Cardioid Condenser Kick-Drum Microphone (Includes Integrated Preamplifier and Male XLR Output)
TR score rating icon 9.9
TR Score
How To Choose Microphones For Bass Drum: Methodology

The best Microphones For Bass Drum ranking is based on our detailed evaluation and analysis of over 745,581 consumer satisfaction surveys. We have come up with the top 3 Microphones For Bass Drum you might be interested in and rated them on factors such as Polar Pattern experience.

* Our experienced editors are constantly reviewing the latest news, looking at data analytics in order to recommend only products worth your time and money. As Amazon Associate, we earn from qualifying purchases.

A Detailed List of Top 3 Microphones For Bass Drum in 2021

#TOP 1

Shure BETA 52A Supercardioid Dynamic Kick Drum Michrophone

21.6 Ounces
10.2 x 5.4 x 4 inches
BETA52A

Reviews for Shure (TA Score)

TR score rating icon 9.9

Sound Samples

Bassamp_Funk
Outside_Bassdrum
Bassamp_Rock

Features

BuiltIn Dynamic Locking Stand Adapter With Integral XLR Connector Simplifies Setup Especially Inside A Kick Drum
Frequency Response Shaped Specifically For Kick Drums And Bass Instruments
Studio Quality Performance Even At Extremely High Sound Pressure Levels
BuiltIn Dynamic Locking Stand Adapter With Integral XLR Connector Simplifies Setup Especially Inside A Kick Drum
Frequency Response Shaped Specifically For Kick Drums And Bass Instruments
Studio Quality Performance Even At Extremely High Sound Pressure Levels
#TOP 2

Audix D6 Dynamic Microphone, Cardioid

D6
4.6 x 2 x 2 inches
0.48 Pounds

Reviews for AUDIX (TA Score)

TR score rating icon 9.9

Sound Samples

Tom
Git_Amp

Features

Handles Extremely High SPLs Without Distortion
Designed, Machined, Assembled And Tested By Audix In The USA
Ground Shaking Low End With Clarity And Attack
VLM (Very Low Mass) Diaphragm Provides Excellent Transient Response
Ideally Suited For Kick Drum, Floor Toms, Bass Cabs
Handles Extremely High SPLs Without Distortion
Designed, Machined, Assembled And Tested By Audix In The USA
Ground Shaking Low End With Clarity And Attack
VLM (Very Low Mass) Diaphragm Provides Excellent Transient Response
Ideally Suited For Kick Drum, Floor Toms, Bass Cabs

Shure BETA 91A Half-Cardioid Condenser Kick-Drum Microphone (Includes Integrated Preamplifier and Male XLR Output)

BETA 91A
1.13 Pounds
9.25 x 4.5 x 3 inches

Sound Samples

Bass_Amp_Funk
Bass_Amp_Rock
Inside_Bass_Drum

Features

Two-Position Contour Switch To Maximize Attack And Clarity Depending On Application: Select The Flat Response Setting For Natural Sound In Most Applications Or The Low-Mid Scoop Setting For A Strong Low Frequency Punch With Plenty Of Higher Frequency Attack
Flat Response Setting Or The "Low-Mid Scoop" Setting For A Strong Low Frequency "Punch" With Plenty Of Higher Frequency Attack
Select The Flat Response Setting Or The "Low-Mid Scoop" Setting For A Strong Low Frequency "Punch" With Plenty Of Higher Frequency Attack
Requires No External Mounting Or Accessories For Ease Of Use And Storage
Precision-Engineered Low-Profile Design Features Integrated Preamplifier And XLR Connector
Kick Drum Microphone Provides A Strong Low-End Response And Maximum Gain-Before-Feedback Due To Its Half-Cardioid Polar Pattern. It Features A Two-Position Contour Switch To Maximize Attack And Clarity And A Low-Profile Design.
Precision-Engineered Low-Profile Design Features Integrated Preamplifier And XLR Connector To Maximize Setup Efficiency While Minimizing Stage Clutter
Also In The Box: 1 - 95A2314 Storage Bag
Frequency Response Tailored For Kick Drum/Low Frequency Applications With A Wide Dynamic Range For Use In High SPL Environments
Two-Position Contour Switch To Maximize Attack And Clarity Depending On Application:
Uniform Half-Cardioid Polar Pattern For Maximum Gain-Before-Feedback And Rejection Of Off-Axis Sound
To Maximize Setup Efficiency While Minimizing Stage Clutter
Furnished With Zipper Pouch
Two-Position Contour Switch To Maximize Attack And Clarity Depending On Application: Select The Flat Response Setting For Natural Sound In Most Applications Or The Low-Mid Scoop Setting For A Strong Low Frequency Punch With Plenty Of Higher Frequency Attack
Flat Response Setting Or The "Low-Mid Scoop" Setting For A Strong Low Frequency "Punch" With Plenty Of Higher Frequency Attack
Select The Flat Response Setting Or The "Low-Mid Scoop" Setting For A Strong Low Frequency "Punch" With Plenty Of Higher Frequency Attack
Requires No External Mounting Or Accessories For Ease Of Use And Storage
Precision-Engineered Low-Profile Design Features Integrated Preamplifier And XLR Connector
Kick Drum Microphone Provides A Strong Low-End Response And Maximum Gain-Before-Feedback Due To Its Half-Cardioid Polar Pattern. It Features A Two-Position Contour Switch To Maximize Attack And Clarity And A Low-Profile Design.
Precision-Engineered Low-Profile Design Features Integrated Preamplifier And XLR Connector To Maximize Setup Efficiency While Minimizing Stage Clutter
Also In The Box: 1 - 95A2314 Storage Bag
Frequency Response Tailored For Kick Drum/Low Frequency Applications With A Wide Dynamic Range For Use In High SPL Environments
Two-Position Contour Switch To Maximize Attack And Clarity Depending On Application:
Uniform Half-Cardioid Polar Pattern For Maximum Gain-Before-Feedback And Rejection Of Off-Axis Sound
To Maximize Setup Efficiency While Minimizing Stage Clutter
Furnished With Zipper Pouch

Best Microphones For Bass Drum — FAQ

What type of microphone would you use for a kick drum?

A small diaphragm dynamic mic is usually the ideal choice for this, they will capture the mid range and attack from the beater without over-exaggerating the bleed from the floor tom, snare or cymbals. I've had some good luck with a Shure SM57, Sennheiser 441 and Telefunken M80.

Moreover, what mic should I use for bass drum?

The Shure Beta52A is the OTHER well-known classic in the world of bass mics. Its rugged and durable design makes it especially popular for live stage performances. Yet it's used in the studio just as often.

However, what type of microphone is best for recording bass?

Best Microphones For Recording Bass Guitar

  • Shure SM57.
  • Sennheiser e602 II.
  • Audix D6.
  • Heil PR40.
  • Electro-Voice RE20.

Beside this, can you use a vocal mic for bass drum?

Boundary Mics Also known as PZMs (for Pressure Zone Microphones), boundary mics offer wide polar coverage and clean pickup of transients. Large-diaphragm Condensers Your best vocal condenser probably sounds great on bass drums, too.

Indeed, how many drum mics do you need?

Microphone setups for recording drums

NStereo MicsSpot / Close Mics
6-12Stereo overhead microphonesOne or more microphones for each of the drums in the kit
8-20Stereo overhead microphonesOne or more microphones on each of the drums in the kit Microphones positioned close to each group of cymbals

Thus, is a condenser mic good for bass drum?

The basis of a good kick sound is a large dynamic microphone like the ATM250. We recommend that you position the mic inside the bass drum. This will capture the snap of the beat around the batter head while isolating the rest of the kit.Your best bet is a large diaphragm condenser microphone like an AT4047/SV.

Also, what are ribbon microphones best for?

Ribbon mics are great for drum overheads, capturing cymbals without the tizzy hype. An R88 deployed at a reasonable distance on drum overheads delivers a beautiful stereo image of the entire drum kit that can be combined with a kick drum mic for a highly effective, minimalist drum kit recording technique.

And, how do you record bass?

5 Tips to Record Bass Guitar Like a Pro

  1. Use a Guitar That Matches the Style of Your Song.
  2. Check For Equipment Issues Before Recording.
  3. Use a DI Box or Preamp Pedal.
  4. Use the Right Microphone Type and Placement.
  5. Apply Compression and EQ.

Nevertheless, how do I boost my bass microphone?

How to Boost Mic Volume on Windows

  1. Right-click on the active microphone.
  2. Again, right-click the active mic and select the 'Properties' option.
  3. Then, under the Microphone Properties window, from the 'General' tab, switch to 'Levels' tab and adjust the boost level.
  4. By default, the level is set at 0.0 dB.

Nonetheless, are condenser mics good?

Condenser microphones, therefore, offer superior sound quality. Of all microphone types, condensers have the widest frequency response and the best transient response (transients are fast bursts of energy, e.g. the attack of a drum or the pick of an acoustic guitar).

On the other hand, what are dynamic microphones?

Dynamic microphones turn sound waves into a voltage with the use of a magnet. They essentially work like speakers but in reverse. In a speaker, electricity vibrates the diaphragm, which creates the sound waves. Dynamic microphones on the other hand use sound waves that vibrate the diaphragm and create electricity.

Our Verdict

With so many Microphones For Bass Drum available, it's difficult to know which one is best. Fortunately, our research team compiled an unbiased list of 26 best Microphones For Bass Drum that will fit every budget. During this study there were over 18893 products across 26 brands. Our verdict: most customers choose Microphones For Bass Drum with an average price tag of $326!

Marlene Armstrong
ABOUT THE AUTHOR

Marlene Armstrong is a percussionist with a wide range of experience, from performing in churches to playing at the Kennedy Center. Marlene has been teaching percussion for over 9 years and teaches privately as well as through school systems. She has performed with with many musicians. In addition to her work on drums and other percussion instruments, she also sings jazz standards.