Best Boundary Microphones

By Olivia Yates | Last Updated on Nov 14, 2021

In Hurry? Editor's Choice:

Shure BETA 91A Half-Cardioid Condenser Kick-Drum Microphone (Includes Integrated Preamplifier and Male XLR Output)
TOP 1
Shure BETA 91A Half-Cardioid Condenser Kick-Drum Microphone (Includes Integrated Preamplifier and Male XLR Output)
TR score rating icon 9.8
TR Score
Shure CVO-B/C Centraverse Overhead Cardioid Condenser Microphone, Black (Installation Required)
TOP 2
Shure CVO-B/C Centraverse Overhead Cardioid Condenser Microphone, Black (Installation Required)
TR score rating icon 9.8
TR Score
Sennheiser e901 Boundary Layer Condenser Mic for Kick Drum
TOP 3
Sennheiser e901 Boundary Layer Condenser Mic for Kick Drum
TR score rating icon 9.8
TR Score
How To Choose Boundary Microphones: Methodology

The best Boundary Microphones ranking is based on our detailed evaluation and analysis of over 222,384 consumer satisfaction surveys. We have come up with the top 3 Boundary Microphones you might be interested in and rated them on factors such as Polar Pattern experience.

* Our experienced editors are constantly reviewing the latest news, looking at data analytics in order to recommend only products worth your time and money. As Amazon Associate, we earn from qualifying purchases.

A Detailed List of Top 3 Boundary Microphones in 2021

Shure BETA 91A Half-Cardioid Condenser Kick-Drum Microphone (Includes Integrated Preamplifier and Male XLR Output)

BETA 91A
1.13 Pounds
9.25 x 4.5 x 3 inches

Sound Samples

Bass_Amp_Funk
Bass_Amp_Rock
Inside_Bass_Drum

Features

Two-Position Contour Switch To Maximize Attack And Clarity Depending On Application: Select The Flat Response Setting For Natural Sound In Most Applications Or The Low-Mid Scoop Setting For A Strong Low Frequency Punch With Plenty Of Higher Frequency Attack
Flat Response Setting Or The "Low-Mid Scoop" Setting For A Strong Low Frequency "Punch" With Plenty Of Higher Frequency Attack
Select The Flat Response Setting Or The "Low-Mid Scoop" Setting For A Strong Low Frequency "Punch" With Plenty Of Higher Frequency Attack
Requires No External Mounting Or Accessories For Ease Of Use And Storage
Precision-Engineered Low-Profile Design Features Integrated Preamplifier And XLR Connector
Kick Drum Microphone Provides A Strong Low-End Response And Maximum Gain-Before-Feedback Due To Its Half-Cardioid Polar Pattern. It Features A Two-Position Contour Switch To Maximize Attack And Clarity And A Low-Profile Design.
Precision-Engineered Low-Profile Design Features Integrated Preamplifier And XLR Connector To Maximize Setup Efficiency While Minimizing Stage Clutter
Also In The Box: 1 - 95A2314 Storage Bag
Frequency Response Tailored For Kick Drum/Low Frequency Applications With A Wide Dynamic Range For Use In High SPL Environments
Two-Position Contour Switch To Maximize Attack And Clarity Depending On Application:
Uniform Half-Cardioid Polar Pattern For Maximum Gain-Before-Feedback And Rejection Of Off-Axis Sound
To Maximize Setup Efficiency While Minimizing Stage Clutter
Furnished With Zipper Pouch
Two-Position Contour Switch To Maximize Attack And Clarity Depending On Application: Select The Flat Response Setting For Natural Sound In Most Applications Or The Low-Mid Scoop Setting For A Strong Low Frequency Punch With Plenty Of Higher Frequency Attack
Flat Response Setting Or The "Low-Mid Scoop" Setting For A Strong Low Frequency "Punch" With Plenty Of Higher Frequency Attack
Select The Flat Response Setting Or The "Low-Mid Scoop" Setting For A Strong Low Frequency "Punch" With Plenty Of Higher Frequency Attack
Requires No External Mounting Or Accessories For Ease Of Use And Storage
Precision-Engineered Low-Profile Design Features Integrated Preamplifier And XLR Connector
Kick Drum Microphone Provides A Strong Low-End Response And Maximum Gain-Before-Feedback Due To Its Half-Cardioid Polar Pattern. It Features A Two-Position Contour Switch To Maximize Attack And Clarity And A Low-Profile Design.
Precision-Engineered Low-Profile Design Features Integrated Preamplifier And XLR Connector To Maximize Setup Efficiency While Minimizing Stage Clutter
Also In The Box: 1 - 95A2314 Storage Bag
Frequency Response Tailored For Kick Drum/Low Frequency Applications With A Wide Dynamic Range For Use In High SPL Environments
Two-Position Contour Switch To Maximize Attack And Clarity Depending On Application:
Uniform Half-Cardioid Polar Pattern For Maximum Gain-Before-Feedback And Rejection Of Off-Axis Sound
To Maximize Setup Efficiency While Minimizing Stage Clutter
Furnished With Zipper Pouch
#TOP 2

Shure CVO-B/C Centraverse Overhead Cardioid Condenser Microphone, Black (Installation Required)

4 x 2.5 x 6.5 inches
0.65 Pounds
CVO-B/C

Reviews for Shure (TA Score)

TR score rating icon 9.8

Features

CommShield Technology That Guards Against Unwanted RF Interference From Portable Wireless Devices (Smartphones, Etc.) And High Resistance To Intense Nearby Radio Signals
Tailored Frequency Response Ideal For Capturing Fast Transients Above Choirs And Other Ensembles
Frequency Response: 7016000 Hz, Output Impedance - 180
Superior Shure Design And Rugged, Dependable Construction
CommShield Technology That Guards Against Unwanted RF Interference From Portable Wireless Devices (Smartphones, Etc.) And High Resistance To Intense Nearby Radio Signals
Tailored Frequency Response Ideal For Capturing Fast Transients Above Choirs And Other Ensembles
Frequency Response: 7016000 Hz, Output Impedance - 180
Superior Shure Design And Rugged, Dependable Construction
#TOP 3

Sennheiser e901 Boundary Layer Condenser Mic for Kick Drum

e 901
10.4 x 4.5 x 3 inches
0.6 Kilograms

Sound Samples

Bass_Amp_Rock
Bass_Amp_Funk
Inside_Bass_Drum

Features

No Stand Needed -- Just Lay It On A Towel Or Pillow
Standard XLR Plug: No Adaptor Cable Needed
Capable Of Handling Extremely High SPLs
Frequency Response Optimized For Bass Drum
10 Year Warranty
No Stand Needed -- Just Lay It On A Towel Or Pillow
Standard XLR Plug: No Adaptor Cable Needed
Capable Of Handling Extremely High SPLs
Frequency Response Optimized For Bass Drum
10 Year Warranty

Best Boundary Microphones — FAQ

When would you use a boundary microphone?

Boundary mics are used on hockey boards for body check sound effects. They are also commonly used to record full room sound, such as in a conference room, by being mounted on a wall or table.

Likewise, what is a boundary effect microphone?

A boundary microphone is essentially a small diaphragm condenser mic mounted in a housing that directs the diaphragm parallel to the surface onto which it's mounted.The advantage of a boundary mic is that it can pick up sounds accurately in reverberant rooms and can capture sounds from multiple sources.

Also, how do you set a boundary mic?

The sensitivity of a boundary mic may be naturally increased by placing it between multiple boundaries. When positioned in the corner of a room, for example, where the floor and two walls converge at right angles, the mics sensitivity will increase by 18dB, or 6dB per surface without any increase in noise.

Moreover, what is a boundary layer microphone?

A microphone placed on the surface of a large boundary. In this way, the microphone emphasizes direct sound over the diffuse sound, providing higher directivity of the microphone.The principle is also known as PZMTM (Pressure Zone Microphone), which is a trademark of Crown.

And, are condenser mics good?

Condenser microphones, therefore, offer superior sound quality. Of all microphone types, condensers have the widest frequency response and the best transient response (transients are fast bursts of energy, e.g. the attack of a drum or the pick of an acoustic guitar).

Then, what makes a microphone Omni directional?

The prefix omni- comes from Latin and means all. In this way, an omni directional microphone captures sound equally from all directions. This means that whether you're in front, behind, or on one side of the mic, it records the signal with equal strength.

Nonetheless, are boundary mics omnidirectional?

Experience high-quality sound with exceptional clarity for your video and web conferencing or when recording a meeting or lecture. The UB1 USB boundary microphone has an omnidirectional polar pattern that provides coverage 360 around the microphone.

Similarly, how do contact microphones work?

A contact microphone, also known as a piezo microphone, is a form of microphone that senses audio vibrations through contact with solid objects. Unlike normal air microphones, contact microphones are almost completely insensitive to air vibrations but transduce only structure-borne sound.

Beside this, what is the best microphone for a choir?

The Best Mic for Choir

ProductRatingWeight (ounces)
Peavey VCM 3 Choir Microphone4.44.6
Shure CVO-B/C Overhead Microphone4.210.4
Samson C02PR Pencil Condenser Microphones4.51.5
Behringer C-2 Studio Condenser Microphones4.51.65

However, what are dynamic microphones?

Dynamic microphones turn sound waves into a voltage with the use of a magnet. They essentially work like speakers but in reverse. In a speaker, electricity vibrates the diaphragm, which creates the sound waves. Dynamic microphones on the other hand use sound waves that vibrate the diaphragm and create electricity.

In addition, what is a multi pattern condenser microphone?

Multi-pattern mics offer exceedingly specific sound isolation that will allow you to tailor the mic to the sound source or even the vocal style of the singer. They can be used to reduce feedback, control bleed in live recordings, and create sonic images using the full spectrum of stereo-miking techniques.

Our Verdict

With so many Boundary Microphones available, it's difficult to know which one is best. Fortunately, our research team compiled an unbiased list of 26 best Boundary Microphones that will fit every budget. During this study there were over 67795 products across 26 brands. Our verdict: most customers choose Boundary Microphones with an average price tag of $247!

Olivia Yates
ABOUT THE AUTHOR

Olivia Yates is sound engineer and she loves it. She spends most of the day doing what mic's do best: amplifying voices! But Olivia also has a keen interest in sound effects, from making music to capturing wildlife sounds. And on occasion she even gets to be part of an orchestra or choir! In her spare time, Olivia enjoys reading about the history of microphones and their inventors.